“Kholo Kholo” from Taare Zameen Par

This is a nice song to be played on an acoustic guitar or so. You can play it by yourself or get another guy to accompany you while you noodle around with playing some bluesy fillers. These fillers are there in the song, but very faint. You can make it explicit, play it louder. I would try to note the chords here, but its better explained by playing. Since it will take a long time to transcribe each and every pull-offs and hammer-ons, I am trying to do a approx job. Rest is upto you, to play it in your own style.

[ the pattern above keeps playing...]
kholo kholo darwaze
Parde karo kinare
Khutey se bandhi hai hawa
Mil ke chudao saare

Aajao patang leke
Apney hi rang leke
Aasmaan ka shamiyana
Aaj hamein hai sajana

Kyun is kadar hairaan tu
Mausam ka hai mehmaan tu
Duniya sajee tere liye
Khud ko zara pehchaan tu

Bsus4
Tu dhoop hain jham se bikhar
Em G A
Tu hai nadee o bekhabar
Bsus4
Beh chal kahin ud chal kahin
Em G B7 B7 Gaug
Dil khush jahan teri toh manzil hai wahin

G Asus2
Kyun is kadar hairaan tu
G Asus2 Em
Mausam ka hai mehmaan tu

[.. back to main pattern... and all the same chords follow...]
Baasi zindagi udaasi
Taazi hasney ko raazi
Garma garma saari
Abhi abhi hai utaari

Oh zindagi to hain batasha
Meethi meethi si hai aasha
Chakh le rakh le
Hatheli se dhak le ise

Tujh mein agar pyaas hai
Baarish ka ghar bhi pass hai
Roke tujhe koi kyon bhala
Sang sang tere aakash hai

Tu dhoop hain jham se bikhar
Tu hai nadee o bekhabar
Beh chal kahin ud chal kahin
Dil khush jahan teri toh manzil hai wahin


A5 Asus
Khul gaya aasmaan ka rasta dekho khul gaya
A5 D A5
Mil gaya kho gaya tha jo sitara mil gaya

Roshan hui saari zameen
Jagmag hua saara jahaan
Oh udne ko tu aazad hai
bandhan koi ab hai kahan

Tu dhoop hain jham se bikhar
Tu hai nadee o bekhabar
Beh chal kahin ud chal kahin
Dil khush jahan teri toh manzil hai wahin

Oh kyun is kadar hairaan tu
Mausam ka hai mehmaan tu

Well, I know all these chords are not accurate, but all those A family chords are derivatives of Asus, so you can play around that, and can’t go wrong. Important part is to land on B7 and Gaug (also called G+) there.

One other thing, I cannot get the chords aligned on the top of the text, so the placement in some places are off, so play it by listening to the chord changes.